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You've selected:
Rey's Theme Harp
Sheetmusic to print
3 sheet music found
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1
Rey's Theme - Harp
Rey's Theme - Harp
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Harp (band part)
#
Film/TV
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Film/TV
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Rey's Theme - Harp
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Classical; Film/TV. Orchestra. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.324215). - Orchestra - Classical; Film/TV - Hal Leonard - Digital She...
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Classical; Film/TV. Orchestra. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.324215). - Orchestra - Classical; Film/TV - Hal Leonard - Digital Sheet Music
$7.00 ≈
6.53€
Taskmaster Theme
Taskmaster Theme
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3 Guitars (trio)
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INTERMEDIATE/ADVANCED
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Ben Lewis Reynolds, Edward She
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Derek Hasted
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Taskmaster Theme
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Derek Hasted
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1403993 Composed by Ben Lewis Reynolds, Edward Sheldrake, Joseph Martin Auckland, Mark Christopher Brown, and William George ...
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Guitar - Level 4 - SKU: A0.1403993 Composed by Ben Lewis Reynolds, Edward Sheldrake, Joseph Martin Auckland, Mark Christopher Brown, and William George Collier. Arranged by Derek Hasted. Comedy,Film/TV. 8 pages. Derek Hasted #987170. Published by Derek Hasted (A0.1403993). The TASKMASTER THEME - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar primarily - also suits Acoustic Guitar or Electric GuitarDerek Hasted writes Alex Horne and The Horne Section is an ensemble that??s particularly hard to describe - consummate musicians and wicked comedy. So far they haven??t quite achieved the fame that their talent, skill and originality deserve.Alex Horne is also known as the creator of ??Taskmaster?, a TV program that laughs at comedians, rather than with them, as they tackle tasks that require lateral thinking and a razor sharp mind.The Taskmaster Theme is tricky only because of its speed. It??s also annoyingly short, but for UK audiences, at least, it??s an instant crowd-pleaser. Then again, taken a little more slowly it's accessible to intermediate players and lasts a little longer too! The tone of the guitar is actually, well-suited to a more modest speed.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
4.65€
Nocturne for violin and orchestra
Nocturne for violin and orchestra
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Orchestra, Violin
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Classical
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Nocturne for violin and orches
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (18...
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Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).
We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.
My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99 ≈
18.65€
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1
Rey's Theme Harp
